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Showing posts with label Saving Jemima. Show all posts
Showing posts with label Saving Jemima. Show all posts

Requiem for a Blue Jay

Friday, December 27, 2024

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Even seven years out from the Saving Jemima year of 2017,  
the year I looked so hard at blue jays I nearly became one,
I am still looking at jays
 the way jays look at jays, searching their faces for distinguishing marks
Building galleries of dated images, to what end I'm not sure
Except that I need know each one for who it is.
You might not believe I have spent the entire day going through my photos,
matching face to face over the months they've been here
Aging and trying to sex the birds,
so I can recognize each one at a glance.

Hyperfixated, my kids would say.
OK, go ahead, label me, box me up.
I am well aware I'm not like the others.

I need to know more, need to know who.

You never know. Something might happen.






The part of loving blue jays that I don't recommend

is the sudden squawk explosion

the gravelly rasp they give when the hawk dives in

Shuffle of wings and cartwheel motion

as a small band bursts outward

from a sharpshin supernova.


Then, the rhythmic cries, 

strident first, with outrage then

passing through each color: fear to anguish

Into futility, then surrender

Crying, crying still, minute on minute

Unseen, talon-pinned beneath the briars

Slowing, then ceasing

The jay's life ebbing as it's

reduced to simple substance:

feather, meat, and bone.

A friend and neighbor, slowly

torn into small chunks

turned into food

packing the crop of a quick young sharpshin.


At my desk, now watch and wait.

Their daily peanuts sit untouched

The band of seven, too shocked to fly

Too rattled to eat.

I will know the victim only by its absence.

In days to come I'll study every face

Skeetles and Messi

Blobby Blue, Spangles

Taking the grim roll call of my teachers.


This afternoon I'll push through the brambles

edge along the north slope

Where the little blue Piper went down

Looking for the feather splash

For clues amidst strewn wreckage

The scrap of flesh, the drop of blood

And the little black box of knowing.






*Skeetles, 22 Dec. 2024


*Messi, 27 Dec. 2024



*Spangles, 13 Dec. 2024



*Blobby Blue, 7 Dec. 2024 

(Blobby always licks their bill after drinking)


Unidentified, 25 December 2024


*All four jays pictured reported to the yard today, December 27, 2024

Tearing it Out

Saturday, January 30, 2021

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 On clearing....


If you are looking for satisfaction, choose a battle you have a prayer of winning.

One where you can see your progress. 

Preferably, one where you can pile stuff up and burn it.

 Since the world stopped turning and wobbled on its axis in March, there have been far more things in the world that I can't control than I could handle. The book tour I had worked for months to arrange was canceled, lock, stock and barrel. The book I was so proud of, that had been out only a few months, that I believed was the most compellingly readable and best-realized thing I'd done, tanked in sales. Not because it wasn't good, but because I was prevented from promoting it. My publisher, Houghton Mifflin Harcourt, had shown great faith in ordering a jaw-dropping first printing of 14,000 copies, and last I checked perhaps 3,900 of those had sold. I have had to stand on the shore and watch it vanish into the void with barely a ripple, and that was hard. It is nothing to what 430,000 Americans and all their  loved ones have suffered since, I know, but still I mourned and ground my teeth. Bad timing for Jemima Jay, all around.

 Like everyone else, I went into isolation, stopped giving talks, stopped seeing any friends but Shila, stopped shopping for anything but food, stopped getting haircuts, stopped driving my car. I've stopped going anywhere. I played a game with myself: How long could I go without shopping for food? 9 days? Two weeks? How long could I go without cleaning the house? What was the point? Who'd ever see it but me and the dog? 

  Though I didn't much enjoy it, I was pre-adapted to deal with all that. It wasn't all that different from my life before, if you ignored the fact that I used to travel a lot.  But I was worried about my kids, making their way in work and college where I couldn't see them or hug them. Neither one was getting any hugs at all, and that continues to bother me. I was hoping masks would protect them, hoping masks would protect me. What would happen to them if something happened to me?  There's nobody else on this watch, so pardon me if I drive slowly now and continue a lifelong practice of eschewing rock-climbing, hang-gliding and scuba diving. If this virus got hold of me, what would become of them?

A mess of multiflora rose, choking the trees. 

I was sick about the state of the country. Corruption and lies had become the standard from the top down. Mercy, empathy, gentleness, humor, integrity, truth, science: all these things were utterly gone, devalued in the regime in control. The country was in absolute turmoil, chaos and agony. The pandemic was a "hoax" and masks were for "libs" and "individual freedom" was more important than protecting each other from a deadly disease. Somehow this horrific stew of hatred, misinformation and lies was "great;" was keeping and making us "great." The world was upside down and inside out. Though I was certainly not alone in feeling this way, I was definitely lonely, and from what I could see from the lawn art in my red rural area, those who felt as I did were a distinct minority, and/or keeping their heads as far down as possible. I was terrified about the upcoming election. If I'd known what would unfold around the election, I'd have been in even worse shape.  It could all come right back in four years. Not gonna fix that up too easy.

So I got myself outside, to rip out invasive plants. I have been ripping out vines and multiflora rose since late winter 2019. Something has taken ahold of me. I know it's not normal; that it's excessive, but it's what I do. I get up around 8, suit up and head out into the orchard, usually without eating breakfast. I don't care what the weather is doing; I go. 30's, 20's, snow, rain, whatever. It's just weather, and I have work to do. I guess I learned that from the Amish. I carry large boltcutter style pruners and wear my 30-year-old LL Bean barn coat and heavy steerhide gloves. I almost never know where I'll start or what I'll end up doing, but I rarely come in before four hours of heavy labor have flown by. Bending, cutting, squatting, pulling, hauling, tearing. I'll cut a multiflora cane at ground level, then break off a section of the wicked hooked thorns at the base and commence to pulling. Usually I pull down  20' long multi-branched canes and a whole lot of honeysuckle with it. 

Before one four-hour session

After. I have reclaimed a lot of real estate this way. Look at that view of the meadow!

I have noticed that the invasives work in cahoots. Just like humans, they step on each other's heads to get to the top.  Multiflora rose sends up its obscenely long arching canes into the lower branches of trees. And Japanese honeysuckle twines around those canes and gets a fast track to the top. Both of them horrible, shading out the rightful native vegetation; both of them, aiding and abetting the other in the race to strangle and choke out everything in their path. Barbarians on the stage.

The mess on the left? Gone now. It's in the photos above.

So I cut and pull, cut and pull in a purifying, cleansing effort that might never stop.  I make great piles of thorn and vine in the clear aisles of the old orchard. 

The other day was typical. I was delighted that the temperature had gone up from the low 30's to a balmy 43. So what if it was raining a bit?  I grabbed the new telescoping Fiskars pruners and walked out to the orchard. 

I had cleared the way to some heavy multiflora growth yesterday and I meant to put it to death today. I didn't even look up or feel weary until 1:30 pm. Didn't eat, didn't drink, just cut, hacked, smashed and pulled. I made six huge stacks of thorny canes, with skeins of honeysuckle on top for padding for when I roll it up. 

When I have eight or more piles, I have a hauling day. I couldn't figure out at first how to transport the piles to the burn sites, so I opened YouTube, searched "How to haul brush" and found a nice video of a man bundling brush. First he lays a strap flat on the ground. He piles the brush on top, then stomps it down while cinching the strap around it. Wow! I can do that!

I'll roll this pile onto the strap I've laid out. Then I'll cinch the strap around the mess as tightly as I can. To do this, I have to stomp on the pile.

 Climbing onto a huge pile of multiflora canes is like walking on a very soft, very springy mattress, except for the 1/2" recurved thorns, which are not usually found in soft mattresses. It's dangerous. You teeter and totter. I use the pruner for support, and carefully stomp the canes down to compress the stack. The only good thing about multiflora is that when you stomp on it, it sticks together, hooking into itself. It's tricky to cinch the strap around it without getting hooked, but so what? I heal fast and well. I've learned that when a thorn gets deeply embedded and breaks off, I have to cut an X over it with a razor, then wait a few days for it to work its way out. You don't panic, you just let your body eject it, and give it a way out.

  After one attempt to hand-pull the first pile, I hooked the strap to the back of my John Deere lawn tractor and dragged it, and I've never looked back. That pile was the first of dozens thus moved. It works smashingly well. I've never had a pile come apart. Most of the ones with rose in them flip completely over when I put traction on them, but they never come apart. I guess I have the thorns to thank for that. I also have thorns to thank for the puncture wounds all up and down my legs; for the rips and runs in my good jeans. Badges of honor. People pay a lot of money for jeans that look like mine. Nobody's going to see them, anyway.

 Some people learned to make sourdough; some people cleaned closets; some got deeply into cooking or physical fitness or training their dogs to push button boards and compose English phrases. Who knows what all people did in isolation? Me? I tore out invasives and made enormous piles for burning. 

This is the small pile. Wait 'til you see the big one.

 The beauty of this work is several-fold.  I'm now pulling vines and canes that I cut way back in late winter and early spring of 2020. They're ever so much easier and lighter to pull out or down from the trees when they're dead and snappy, rather than green and pliant. That winter, I cut so many thick stems that I ruined the ring finger of my right hand, giving myself a bad case of trigger finger. This winter, my work has been more varied. Yes, there's a lot of cutting, but there's more pulling, and so far that is kinder to my body than cutting. 

Cantilevered dogwood, buried for 20 years in invasives, now uncovered.

What's beautiful about clearing?  Revealing what is supposed to be there. Uncovering new, expansive views where there was only a green wall of tangled invasive crap before. There is nothing quite so satisfying as walking up to a slumping hummock of tangled honeysuckle, making several dozen strategic cuts, and pulling the mess, bit by bit, from the smothered tree beneath. In most cases, that tree will be a dogwood, and over the years it's been smothered, its branches have grown ever outward, in a vain attempt to outpace the vines. So when it is finally revealed, the tree has long, sinuous, cantilevered branches of great and unexpected beauty, tipped by the tight onion-shaped buds that will be white flowers come April. 

This dogwood is crying to be released. I can hear it every time I walk by. 

This is your lucky morning, little tree. Even under all that sh-t, you're making buds for May. Good for you. 

Before...And after...a waist-high pile of waste--thorn and bramble and vine. And a tree, breathing again.

To free a dogwood...it's one of my favorite things in the world to do. I talk to the tree as I make the last cuts, when I tenderly unwrap the big vines from its trunk and limbs. I see the deep white scars the vines leave, the ruckled lips of tree-flesh around the constricting vine. Those will remain to tell the story of when it was a prisoner. And I can feel the tree begin to breathe again. I can feel its gratitude, and that spurs me on to the next, and the next. The orchard is practically solid dogwood now, just like it was solid honeysuckle and multiflora before.

Do this enough, and you begin to be able to see through the forest again. There are about a dozen dogwoods here, now cleared of their burden, and I can see a bluebird box through them, and that is how it should be.

 In addition to de-vining the tree itself, I  pull up as many honeysuckle crowns as I can, some of them coming up for yards, like a thread-run pull in a huge carpet. Then I remove any vertical growth in the tree's vicinity, eliminating anything the vines could use to climb again. Honeysuckle, when it's young, must have slender saplings and grasses and rose canes to climb; it can't climb a proper-sized tree without a thin ladder. And honeysuckle, I've learned, will only bloom and fruit when it's well off the ground. Robbed of its ladders and supports, it will run over the ground, looking for something to climb. Bad enough, to be sure, but at least it's not producing drupes. 

Before-the end of an orchard row

In progress--the piles are growing

After...Curtis is proud of his ma.  The junk is gone. The trees are free. And we can see clear through to the meadow!

 Judging from what happened last winter, the only thing that's going to stop me is leafout. When the poison ivy sends out its tiny shiny red leaves, I'll have to quit. Until then, look out multiflora. Look out Japanese honeysuckle. Look out hawthorn and Russian olive; look out Japanese barberry and Amur honeysuckle. I am coming for you, and I hate your guts. I will rip you out and I will burn you. And when you send out shoots, I will spray them.  I will have no mercy, for you are bad for my land, for my trees and wildflowers, bad for my spirit. Just as killing you is good for it. At least I think it has been. I am stronger than I've ever been, even as I'm older than I've ever been.

I know that, while my soul is grim and determined and obsessed, my motivation is pure. I'm fighting as hard as I can for truth--what is supposed to be here--and beauty--which has been smothered under ugly overgrowth. Truth IS beauty. Lies are poison. I kill the lies when I cut the canes. It's very simple when you work like this. It all becomes so clear in your mind. 

As I cut and pull, I look for buds on the dogwoods. I envision them floating in the clear blue sky of May. With each mass of vegetation I remove, I gaze across the new vista and exhale. It's good work.





That pile in the foreground? All poison ivy. Not going to burn that one. Going to let it rot in place. 

Here's a shoutout to my constant companion in all this, who makes me his sun, and orbits around me like Pluto, spinning joy. 



When he sees me grab the pruners, he turns on a dime and heads for the orchard.



I guess a part of me loves clearing vines, killing invasives.


Good thing, that. Because my work will never be done.





Curtis Sees Dead People

Saturday, October 3, 2020

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I strive, and have striven, to keep this blog running since 2005, and, in a twin effort, to keep it from becoming All About the Dog. Having weathered a near total takeover of content by one Napoleonic little Boston terrier, I struggle not to let Curtis barge in the same door. I'm fighting not him, but myself; my belief that he is the Most Special Dog Ever. I fight my own besotment.  Well, who could not be taken over by a dog so smart, so sweet, so alive, so tiger-striped?
Plus, get this. He loves to be hugged. Presses in for more. Most dogs don't like it; Curtis craves it. In addition, he smells like fallen sycamore leaves, not a hint of ook. The perfect companion for a lonely anthropoid craving ventral-ventral contact in a pandemic, saith the Science Chimp. 

So I figure it's time for an All Curtis photo post. 

On a recent Thursday, we saddled up for a ride to the sweet little town of Nelsonville, Ohio. Our destination? Stuart's Opera House, its crown jewel. I had to do a tech run-through of my first virtual presentation of Saving Jemima, the book talk that COVID-19 canceled. (Yes! you can watch it! And yes! details below!)

I figured the 2 PM run-through would take about a half-hour, and we'd be on our way, maybe hiking one of the state parks along the Appalachian highway for the afternoon. Well, things didn't quite work out that way.


Curtis always starts our car rides in the front seat, looking forward, as if he's got co-pilot status and has to make sure I pull all the right levers. Traffic stops get boring, though. 


I have anticipated this, so I've brought a pillow for this cur who needs a pillow, at all times. 


Still, it's not very comfortable. 


He could go to the back seat, but that would mean giving up co-pilot status. 


So he opts for the tired airplane passenger sleeping sitting up move. I particularly love his badonkadonk in this shot. Chet had a badinkadink. This dog has baDONK.

Eventually we got to the Opera House, and it became clear that I was in the hands of artists, who are intent on making a show of this event, which is not only my first streamed lecture, but Stuart's Opera House's first streamed event! It will be available on Zoom, but it won't be a simple screen share--you'll be able to see an inset of me speaking, as well as a wide shot of the stage. It will feel a lot more like attending a live lecture. I am excited about this--it counteracts the dreary thought I had of having to give a slide lecture from my studio, all by myself. 

But back to Curtis. He entered the Opera House with pricked ears and waving tail, surging ahead to investigate each room we entered. We had no sooner got on stage and I had taken my place, though, when Curtis began to agitate. He was off his lead with people to kibbitz with, so it wasn't that he was bored at being confined. 


No, he was Zombie Whining me. A Zombie Whine is a very high-pitched screech that starts with a long, soundless exhalation and ends with a sound like a car pulling away on a wet street. He gives it when he very much wants me to be doing Something Other than What I am Doing. 

He kept gazing off into the darkened theater, ears pricked, wagging his tail, then turning back to me. 
"Honestly," I said to my hosts, "it's like he's seeing a ghost, and he wants me out of here, pronto!" This statement unleashed a highly enjoyable barrage of ghost stories from my hosts,  Stuart's Opera House's Executive Director, Melissa Wales, and T-Bone, the house sound artist who is coordinating the show.

It seems there are two ghosts, seen by multiple people, who haunt the Opera House. One is George, thought to be the builder of the place. He walks up and down the empty halls, whistling. Whistling. Melissa has heard him--and she'll know that the door she just heard open is locked up tight, and the lights are off, and there cannot be anyone there, but...footsteps and whistling. Yeeeesh!

Also present and much more mischievious is a ghost the living denizens of Stuart's call Victoria. She's seen more often than George, who is usually heard. She messes with electricity. T-Bone told of one night when, in the  middle of a performance, the house lights started rapidly strobing. Everyone looked at one another, asking what could be going on. T-Bone rushed to cut power to the house lights, flipped the breaker...and the lights stayed lit. Dimly, but they stayed lit. Ohhh-kay. 

At this point I was getting chills, my mouth hanging open. And then they told me about the child visitor who kept asking about "the lady in the balcony."
Victoria is usually spotted in the balcony.


I seen her. I seen Victoria out there.


You can't see her, but I can. Dogs can. Well, I can. We need to go.


We need to get out of here, Mama (blep) I'm begging you.


Sadly, Curtis did not get his urgent wish. In the end, I was there for more than two hours, working out all the kinks and folds of streaming a live lecture to an unseen audience. I enjoyed every minute, even if Curtis didn't. I'm so excited about this! It's happening Thursday, October 8, at 7 pm.

Here's the event on Stuart's Opera House's website:


If you've always wanted to attend a Zickefoose talk, but haven't had a chance, well, here you go. Much as I miss touring, I'm truly excited about the chance to open this out to a wider and more far-flung audience, and to give people a chance to hear the Saving Jemima book talk, no matter where they might reside.

Are you done yet? I'm keeping an eye on you. See that hole in the wall behind me? Ghosts come through that. 



Come ON Mama let's GO! I have to get you out of here!


All right, Mr. Supernatural, we can go home now. 

See you Thursday October 8 at 7 pm! And since you're gonna ask, Curtis done blown his chance to be there. I'll have enough to do without placating an antsy beggartick cur-dog who has to report loudly on what he's seeing up in the balcony. I'll just have to take my chances with George and Victoria sans bodyguard. 

Thanks to Stuart's Opera House, Athens Area Birders, Scioto Valley Bird and Nature Club, my favorite ever general store White's Mill, the Ohio Ornithological Society, and Bob Scott Placier for sponsoring my appearance. I don't know who's sponsoring George and Victoria's appearances. 





 

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