Showing posts with label cloud photography. Show all posts
Showing posts with label cloud photography. Show all posts
The Essential Dog
Been mighty busy lately. I've got this jigsaw puzzle (see button on right sidebar)
that kinda blew the doors off my little home studio fulfillment center.
I didn't know what to expect from a jigsaw puzzle, but there are a lot of puzzlers out there who need a fresh challenge, methinks! It's been a blast.
Three times now the studio has filled up with puzzles and just as quickly with white boxes, all addressed and ready to go. Some folks order two (bigger boxes) so they can give one as a gift.
This is one day's work. I figured out that I have to arrange things so I don't bend over a lot. So I stack the puzzles on the big oaken flatfile and box everything while standing up. Then I can get all the shipping done without hurting my back again. I was laid up for a week after the first flush of orders. You can't do a heck of a lot when you can't bend over, I found out. I never knew how much bending over I do in a day.
One woman band here. I'm Creative Director, Staff Artist and Designer, Head of Advertising, Comptroller and also sole Mail Room employee at Indigo Hill Arts. And there is no Workman's Comp.
Here, I've just loaded 60 puzzles into the car to take them to the post office, and the UPS truck has dropped off 40 more (in the wagon). Add Longshoreman to my job description.
Of course that little Chet Baker is with me every minute.
He gets very excited when we load up the car with boxes, because he knows we are going to the Post Office. He loves the Post Office because he gets to run inside and greet everyone!
We drove all the way there last Wednesday only to figure out that it was Veterans' Day, and it was closed. D'oh!
Now what are we to do with all these boxes, Mether?
We're not loading them again, I can tell you that, Chet. We'll drive around with them and come back tomorrow.
So we got up early Thursday morning, took Liam to the bus at 7, and waited until the Post Office opened at 8 AM. Chet had to ride on Liam's lap, because the car was stuffed with boxed puzzles.
I dropped Liam off, then drove up to the top of a hill to watch the sun rise.
It was very beautiful, and I was engrossed watching big lines of clouds scud across the sky.
And then someone turned the lights on.
Man, I hit it just right. What an incredible daybreak.
This stuff goes on all the time, and we go down our rutted paths far below, sometimes barely noticing the pageant in the sky overhead.
I try not to let it be lost on me, ever.
I have hundreds of photos of clouds. I love clouds. I've looked at them from all sides now. And I never tire of clouds. Well, the gray flannel solid ones, yes, I get tired of those. Give me a broken sky, any day, over an overcast one, or even a clear one. Give me clouds!
There were several dozen Angus bellerin' away at the farm in the photo. Their lowing was a perfect soundfile for the dark, ponderous clouds floating overhead. I remembered loving to sing "Ghost Riders in the Sky."
Their brands was still on fire and their hooves was made of steel
Their horns was black and shiny and their hot breath he could feel
A bolt of fear went through him as they thundered through the sky
For he heard the riders comin' hard, and he heard their mournful cry...
We got to the post office but Cynni the Postmistress wasn't ready for us just yet. A truck pulled up and a lady got out and Chet Baker trotted over and by gum she guv him a bikkit!
Now what are the chances of that, that a stranger in a truck would have a bikkit for Chet?
Mether! That was the most excellent thing ever! She guv me a bikkit out of the clear blue air!
Chet stationed himself by the door so he could intercept anyone else coming to the Post Office.
While we waited we counted turkey vultures on the big roost just up the hill. This is a fall gathering spot for them. They won't stay the whole winter.
Between the main roost and another big emergent tree just down the road, there were at least 100 birds. It was wonderful to watch them doing a little vulture yoga in the warm morning sun.
Finally it was time to go inside!
Miss Cynni greeted Chet warmly. Though she had no bikkits, she said she will fix that very soon.
Chet Baker! Stop rooing at Miss Cynni!
But she should have bikkits! The lady in the truck had bikkits! Why doesn't Miss Cynni? That is the problem! And that is why I am rooing at her! So she gets me a bikkit!
Chet Baker is very bad, but people seem to love him anyway.
They love him at the office, too. Even though he scratches in the vinca.
When I have errands to do in town I leave him at the office. He is just a little too cute to leave alone in the car, even when the weather is cool.
I worry someone will try to take him.
Neither of us would survive that.
I need my co-pilot, always.
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These Grand Ohio Skies
Tuesday, October 28, 2014
7 commentsAs breathtaking as the skies were in New York, Ohio had her cloudscapes all dressed up and waiting in the wings. And out they danced, one after another.
I have an absolute thing for anvilhead cumulonimbus. I adore this shot, with Ohio's omnipresent and iconic orange barrels standing watch. Really, it's time to take them down. They're a summer thing. It's like the buzzards returning to Hinkley. Summer comes, and ODOT rolls out the orange barrels to squeeze our already narrow highway passages down to one lane and make us all slow down to 55. That, or get ticketed. Which we do, we do.
But it was to get even more surreal, when a car bombed my next shot of this incredible autumnal landscape.
I was pulled over, just shooting away at these perfect hills and this killer sky. I wondered about everyone else, hurtling along. Were they experiencing an advanced and heightened state of rapture as was I?
The particular strength of the iPhone camera is its ability not to be so overwhelmed by bright sky that the land color and detail is lost. I remember so clearly my disappointment with my early Canon film camera, and later my Rebel, for its one-or-the-other approach to sky and land. A professional photographer explained it this way: Either you take your exposure on the sky, and capture that, with the land going completely dark, or you expose on the land and lose the sky, all its whites blown out. Later, I got a Canon GS-11, followed by a GS-12, and it was obvious that Canon had been working on that particular problem. I'm a little chagrined to say that the iPhone has rendered my blocky little Canon GS obsolete. I can actually do more with the iPhone. Somehow, the iPhone knows that I want to capture both land and sky in perfect exposure. Sure, I have to do a little fiddling sometimes in post processing, which I never had before digital cameras came along. I'll sometimes open up the shadows on the landscape in iPhoto, but I do precious little fiddling. The iPhone 4S camera captures it all. And I love it for that. That, and the fact that it's always with me. No moment, no vista, goes unrecorded. Yay.
I kept my eye on that anvilhead, rolled on a little farther, and BOOM there was the dilapidated barn and silo just waiting for me. All I had to do was compose the shot. Holy cow. Yes. Ohio is beautiful. You coast-huggin' people ought to give it a chance.
This experience only reinforces my contention that making a habit of photography makes us much more sensitive to beauty. It turns us into artists and composers. More importantly, it turns us into true appreciators. And the best part is you don't have to have "talent." How many times have I heard, "Oh I wish I could paint like you. You're so talented." Well, having started out as a kid able only to scribble, I believe that talent is more or less equivalent to hard work, and yes, we have to work and study to learn how to paint. We can't just wish it into being. On the other hand, anybody can paint like this, because we all have eyes, and almost everybody reading this has a cameraphone these days.
There were some very special things happening with sunbeams, brilliant green hills, and dark clouds. I started shooting through the windshield as I often do when seeing something amazing.
Rolled down the window and went for the unencumbered shot.
And boom! there was a green hill, and a beam spotlighting it, pointing to I don't know what. I always love the dark clouds that cross white ones, the violet-purple ones marching along the horizon. It all makes me want to get out of the darn car and walk those hills. It also makes me want to paint them. I have a fantasy where I chuck it all and just start painting watercolor landscapes, using these ephemeral photos as inspiration. It's nice to have a pipe dream. It's cuddled up against the one about having a specialty mail-order greenhouse growing odd little plants that I love. I think the growing would be a lot more fun than the order fulfilling. Maybe I could grow them for someone else who had an established business.
Soon, I came to our exit (these were all taken along I-77 South in Ohio) and I raced along our ridge to catch the last sunlight on sugar maples.
It's all so ephemeral, so quickly gone. I have to roll around in it while it's here, this light, these leaves.
I'm thankful for sugar maples and cerulean skies, for slanted evening sun, for whatever basket of beauty the day brings.
By the time we reached The Three Graces, the light was gone, gone like the moa is gone. Color drained out of the landscape. The Graces all decided to go with understated Homecoming gowns this year. They didn't want to upstage each other. Red Maple (left) took it easy, as did Sugar Maple (center). And even gaudy Tupelo (right) decided against flaming red, her usual choice.
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Sunday, November 15, 2015
7 comments