A Quiet Dawn

It's been so wicked cloudy in the last few weeks that, when there is a sunrise, I go for it. I want to see that light spread across the sky and land, across the houses and barns and the backs of black cattle. I want to see it light up the ponds, make sky-holes of them. I keep checking the sky as 7 AM approaches. If there are breaks in the clouds, I know I may have a show to enjoy.

I remember going to Sanibel Island and Siesta Key in Florida and being completely charmed by the fact that sunrise and sunset are community events. People deliberately take time out of their day to go witness what, for them and for me, are miraculous, if daily, events. They lug lawnchairs to the beach and sit and watch.

Rarely content to sit, I like moving around under a beginning sky. The turn of the seasons, and the prospect of a long, mostly dreary cloud-socked MOV** winter,  pushes me to savor what I'm given. Don't get me wrong: clouds are among my favorite things. But I like to see light play on them, so a few breaks in the cover are what I'm after.

**Mid-Ohio-Valley
 Very funny story...Facebook discussion revealed many are wondering what an MOV winter is. Harma pointed out that the Google is no help; tells you it stands for MOV (metal oxide varistor, a type of movie file). The other thing Urban Dictionary will tell you MOV is an abbreviation for mother***** aaaaaaaaaccck! These winters get me down but not that much! Anyway, sorry to be obtuse. Or even obliquely profane, which I try not to be, at least here in my shiny blog living room. I briefly considered defining the acronym as I wrote this post, then thought, ahh, people can Google that if they don't know what MOV means...well...back to our originally scheduled programming.

Some sunrises are a slow bleed of color into a pure blue sky. Those are fine, too. Rare, and fine.

I hurried to see the sun peek over the hills. These heifers are always curious about me, as young things are.

The sun lights the side of a barn, and teases a pond out of a dark hollow. The pond gazes up at the sky. That's all it can see.

 

A Rose of Sharon bush has thrown its seeds and become a wild hedge of them, in particolors of pink, red and white. I just finished shearing my beautiful Satin series "Bluebird" before the 1.2 million seed pods it has set are able to dry out, burst open, and shake their progeny all over my flower beds. The things you don't think about when you're smitten with a Rose of Sharon at the nursery! I've learned through hard experience to do this. If I don't, I get to pull 1.2 million woody seedlings the next fall.

Phoebe came back from a run asking about these flowers she'd seen back in August. She's the reason I headed out the ridge in this unaccustomed direction. I don't know why I get so set in my ways, and only run the paths I'm accustomed to. But I'm glad I followed her lead, this time and so many others. 

 

 

 A new mother comes to the fence to tell me her calf is off-limits. She lowers her head and tosses it in an unmistakable threat. It's awfully late for a wee calf. He'd better eat up, put some weight and hair on before the winds turn biting cold.

 

Another look at this lovely scene, the one that got me hooked. This time, there's no drama in the sky, just the slow bleed of color that I love as well. A few starlings on the wire, singing their wandering song of fall.

Further on, I hear something like a lion roaring, and I realize it's an Angus bull, calling to his herd. 

Some young heifers have been moved across the road, to fresh pastures, and probably to be out of his...sphere of influence, and he doesn't like it one bit. Turn your sound up, and see if his low moans  transport you to the veldt.

            

I turn for home with the sun high in the September sky.
 By the time I'm done watching the cattle and headed back, the barn with the star on it looks like this:



I chug along, headed to the drawing table to get to work.

In the field along my road, I see a sign of the times. All its leaves have fallen, and the milkweed is letting go.