Rehearsal dinner Friday night featured three crates of enormous blue crabs, freshly steamed. I learned from Cam's lovely stepmother how to pick a crab. My brother wasn't so keen on separating all that crustacean anatomy, so I kept filling a little bowl of melted butter with lumps of crabmeat, and Bob obligingly devoured it with his blue fork. To my left, my four-year-old grand-niece Amy was begging like a baby bird for crab, so I was poking sweet crabmeat in her mouth, too. Anyone who knows me knows I love to feed critters and people, so these were commensal relationships. I probably picked 15 crabs. Tore my fingers and thumbs up something awful. Crab claws and shells are sharp, and Old Bay stings. But I didn't mind. Didn't get a single speck on my new shirt, perhaps the biggest feat of all.
The music was delightful, wafting on a summer breeze.
And weddings are interesting, beautiful, and in many ways strange to me. They're a mix of ancient ritual and new preferences. Many of us feel the need to break out of the iron box of tradition and change it up, so we don't feel we're doing what everyone before us has done. That's what I find interesting: what parts of the ritual we choose to keep, and what we leave behind. It all matters a lot to those of us who are planning the ceremony. In the end, though, the ceremony is simply how we enter that binding legal agreement, one that's the same for everyone, and one I've been thinking about a lot.
It's nice when the weather cooperates, and the sheets of rain, thunder and lightning that haunt our dreams for months beforehand fail to show up. This one in Arnold, Maryland, had some pretty intense heat, but there was a breeze and all would be well. It was a fine hot summer day, and there were around 200 people gathered to witness. I liked watching people arriving, making their way down the sloping green to the shady spot where the ceremony would take place.
When I go to family weddings, I like to take my big lens and make myself useful shooting photos. Maybe I can capture some moments that the professional photographers didn't snag. I try, anyway. I need to occupy myself, like a border collie finding a job that feels meaningful. It's a pure pleasure when the setting, the light, and the people all conspire in beauty.
My sister Nancy and brother-in-law Larry both walked Claire down the green. I loved that. There was no "giving Claire away." Just welcoming Cam in.
Cam waits while his folks make their way down.
Ringbearers, Charlie and Ben. They executed their job perfectly, Charlie gently leading his cousin Ben.
It got interesting with the flower girls. Just before they were to come down the aisle, we heard a loud wail. Then beheld this spectacle:
Toddlers are finely tuned to look for and root out inequity wherever it occurs. They watch each other and the adults around them like young raptors, making sure that everyone gets the same treatment. Any whiff of favoritism, somebody getting one more noodle or a bigger scoop of ice cream than you got, and there's a loud wail queued up and instantly deployed. Equity, and its relentless pursuit, is one of the most important concepts in a small child's world. And if you think about this in a sociobiological way, it makes perfect sense. If your parents are hunting and gathering, and food supply is intermittent and iffy, and you sense that you're getting the short end of the stick, you might not make it to the next encampment. They might be phasing you out as one more than they can realistically feed. So you put up a howl. You make your need impossible to ignore.
At the last minute, Nancy apologetically explained things to Amy, and asked Amy to give up her big basket so Cait would walk down the green at all. You can see it in Amy's stoic mien. Great. I get the small basket just so she won't wail! And Cait's all, I got the big basket, so I'm not gonna cry any more, but I still feel bruised. And where's my mom when I need her? Wearing a pink dress and several hundred yards away, that's where she is.
Flower girls' passage completed, we got to watch Nan and Larry's beautiful daughters make their way to the shady spot by the river, to wait for their sister Claire.
photo by Jenn Manor Photo, lifted off Instagram. |
7 comments:
Totally digging the sociobiological comments on the flower girls, Julie. It was no different with my siblings and me, and although I vaguely understood it before, I now have no excuse for not doing so. Looking forward to the next post!
Great observations as usual from the mistress of observation! When my niece, Melissa was the flowergirl at my sister, Carolyn's wedding, she refused to smile the entire time. The reason? She was forced to wear yellow, which was the color of the bridesmaids' dresses. She wanted to wear pink. So all we photographers got was a pout from Melissa.
And I remember raising a stink one time when my place setting had a smaller spoon than everyone elses. Ah well...
I like your pic of the bride and her parents better than the professional's, by the way!
When I was young I didn’t care much about rituals, ceremonies, traditions… and, now that I’m old & curmudgeonly I care even less!… but yeah, this was cool, and beautiful. I think what every ritual needs is, off to the side, some keen observer and wordsmith doing narration and play-by-play commentary. ;)
And I adore the close-up of flower-girl Amy!
Lovely, but I am, this night, jealous of the breeze I see in the photographs...
Oh my gosh this was so wonderful to read. Truly lovely. All of it. And yes, we do know who Sirius was channeling. I am sure Chet wasn't the only one from the other side of the veil who was there that weekend. Where else would they be?
Lovely pics for a lovely day! And I must say the first photo of you is beautiful, too.
At age 4, I was a flower girl for a family friend's daytime wedding. I recall coming home and being very, very tired and cranky, and I howled because my older sisters wanted to take pics of me, and I just wanted a nap.
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